Featuring Nick Newman
From the intro:
“The winning film of this year’s Locarno Film Festival wasn’t filled with famous actors nor was it brashly experimental and highbrow. Instead, it was a quiet film about an arthouse director meeting an artist, hanging out, drinking, flirting, and failing. Then the film starts again, giving the director and artist another chance at some sort of connection. It’s Korean director Hong Sang-soo’s Right Now, Wrong Then, and that pitch is devilishly similar to nearly every film he’s made recently. But, the Hong acolytes couldn’t care less. Since 2005’s Tale of Cinema, Hong’s working scripts have become shorter and shorter, now completing a draft half-an-hour before shooting. Instead of taut, normal narratives, characters are thrown into each other, to be attracted and flung apart, all fueled by how much soju they can drink. His shooting style has also simplified: one camera is now used to capture an entire scene, only able to pan and zoom. However, his films are far from simple. Sometimes scenes are mirrored with different characters or repeated as in Tale of Cinema and 2012’s In Another Country. Sometimes reality is never specified, such as the film-within-a-film in 2010’s Oki’s Movie. Regardless of whatever formal twist he’ll give it, certain cinephiles will always be excited when another 80-minute long Hong comes through the festivals.”
“For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication.”
– Friedrich Nietzsche, Twilight of the Idols
Guest Nick Newman is an associate editor of The Film Stage and has recently contributed to The Film Stage, The Village Voice, and Little White Lies.
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The painting above is Edouard Manet’s Chez le Père Lathuille (1879).
Resources
- Nick’s review of Right Now, Wrong Then
- MUBI Notebook interviews Hong for Right Now, Wrong Then
- Cinema-Scope does the same
- Martin Scorsese sings praises for Hong
- Hong speaks with the BFI
- Scroll a bit for David Bordwell’s thoughts on Hahaha and Oki’s Movie
- Oh, and here he is again for In Another Country
- OK, one more time for Our Sunhi and the two-shot
- Senses of Cinema review for Woman Is the Future of Man
- Calum Marsh’s introduction to Hong’s films
- Marco Grosoli’s paper on Hong and Éric Rohmer
- Huh Moonyung’s book on Hong
- In Another Country and The Day He Arrives are available on Fandor
Title | Year |
---|---|
The Day a Pig Fell into the Well | 1996 |
The Power of Kangwon Province | 1998 |
Virgin Stripped Bare by Her Bachelors | 2000 |
On the Occassion of Remembering the Turning Gate | 2002 |
Woman Is the Future of Man | 2004 |
Tale of Cinema | 2005 |
Woman on the Beach | 2006 |
Night and Day | 2008 |
Like You Know It All | 2009 |
Hahaha | 2010 |
Oki’s Movie | 2010 |
The Day He Arrives | 2011 |
In Another Country | 2012 |
Nobody’s Daughter Haewon | 2013 |
Our Sunhi | 2013 |
Hill of Freedom | 2014 |
Right Now, Wrong Then | 2015 |